Thursday, November 13, 2025
Nonfiction Review: THE ART THIEF
Thursday, October 30, 2025
Audiobooks with Don Review: BUFFALO HUNTER HUNTER
"In this story-within-story-within-story structure, Buffalo Hunter Hunter opens with a discovery — in 2012, a book hidden in the wall of an old parsonage is found by an unnamed construction worker. It turns out to be a journal, written in 1912 and belonging to Arthur Beaucarne, the pastor of the local Lutheran congregation. Inside it contains the story of his strange encounters with Good Stab, who, after years of carnage, has seemingly come to him to confess. Good Stab is an Indigenous man from the Blackfeet tribe living in Montana around the time of the 1870 Marias Massacre, when U.S. Army troops killed nearly 200 unarmed women, children and elderly members of the Blackfeet Nation, a tragedy that figures in a multitude of ways throughout this gruesome joyride of a novel" (NYT).
Tuesday, October 14, 2025
Audiobooks with Don Review: THERE'S ALWAYS THIS YEAR: ON BASKETBALL AND ASCENSION
Imagine for a moment a book as a basketball game, structured loosely into pregame, four quarters, several intermissions, a time-out, and the postgame. That book is There's Always This Year: On Basketball and Ascension by Hanif Abdurraqib. The book is a very challenging read as the game flow is interrupted by asides and back story in the same way a real game might go. Partly a sports story, as you would guess from the subtitle, the book explores the popularity of basketball in the region of Ohio where the author grew up. There's Always This Year is also part essay, part memoir, part social commentary, part cultural/racial observation, and part poetry, all moving far beyond basketball.
"Wanna fly, you got to give up the shit that weighs you down." -Toni Morrison
I'd say this is pretty good way to start this book. Over the course of the book, the author has to give up a lot of things that are weighing him down: to some degree even Columbus, Ohio, his old neighborhood, his memories and dreams, and yes, even basketball.
Hanif Abdurraqib is described as a poet, essayist, and cultural critic. But I think his poetry leads the way in all he writes. Here are a few examples of his writing. Can you sense the poetry behind the words?
About the death of a high school basketball star on the cusp of making it in the NBA, he writes:
"Sometimes there are funerals, and sometimes there is nothing. No portal through which grief can be passed, no housewarming for the new grief that furnishes the ever-growing tower we carry, that we are responsible for, whether we want to be or not" (90).
About memories of his childhood, Abdurraqib writes so descriptively and says:
"My childhood beloveds, my beloved childhood blocks, it is not you I swear. It is my own memory -- memory that I, even now, cannot detach from dreaming. Which is a more whimsical way of saying that the block doesn't look like the block that I once knew and loved and dribbled basketballs on, dodging cracks in the sidewalks or the glass, broken tenderly enough to take the shape of a small brown mouth" (93).
Then there was the poetry poetry:
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| (165) |
After Don's aborted attempt to get into the print version, we decided to listen to the audiobook together. I confess I found the opening five minutes philosophically dense and hard to penetrate, too, but soon we settled in to the author's narration of his story. With only seconds left in the game/book (Do the Cavaliers win the championship with LeBron at the helm, or not?) I start sobbing. Don, who is driving and has other things to pay close attention to, isn't sure why and looks over at me with a question in his eyes. It was this: all the sudden I knew everything the author was saying about life, memories, and dreaming was true. What if our childhoods are still going on in an alternative universe? And we, the livers of that life, are living in two places at once?
"When Brian Wilson completed the song "God Only Knows," he spoke of the impulse to fade the song out on a loop of the chorus, suggesting that it creates a sort of infinity spiral. A world where the song is still going on, always, somewhere. And you, the listener, are still in it, as you were at the time of listening. A dream with no exit. There is a universe, always, where you are joyfully encased in the endless return of chorus, and you might age there, but let's say you don't. Let's say you and the chorus both lock into a type of eternity, a forever of wondering God only knows what I'd be without you, an eternity of praising the fact that you'll never find out. And it is both beautiful and heartbreaking this, that we go on living while a past version of ourselves remain locked, peacefully, in a euphoric dream" (316).
I think the reason I got so choked up at this point related to Don and I both celebrating this summer with our high school classmates the 50 years since our graduations. We took big, long walks down memory lanes. We both lived idyllic childhoods filled with games, friends, sunshine and swim meets. Don especially had a childhood filled with freedom and fun in a small Eastern Oregon town. He'd leave his house on his bike every morning of the summer, bike to the school for baseball practice, stop off for an ice cream on his way to the swimming pool where he'd swim all afternoon, not biking home until dinner, when he knew his folks would begin to wonder where he was. I think I was crying as much for his memories as I was for mine. And I love thinking about that little boy biking around town in an endless, happy summer. It's a rare book that makes you reflect so deeply on your own childhood and feel so connected to a story so different than your own.
Both Don and I loved the audiobook and rated it with 5 stars.
-Anne
Tuesday, September 23, 2025
Audiobooks with Don
During the Fall months my husband Don and I spend a lot of time together driving up and down the freeway to attend football games in Eugene, Oregon (Go Ducks!). The trip takes four to five hours each way -- depending on traffic -- so we have ample time to immerse ourselves in a good audiobook (or two) per weekend trip.
- Isola by Allegra Goodman (Historical fiction based on a real person)
- There's Always this Year: On Basketball and Ascension by Hanif Abdurraqib (Narrative nonfiction. Essays and poems about basketball and life as a Black man.)
- How Not to Drown in a Glass of Water by Angie Cruz (An immigrant from D.R. tells her story to a career counselor.)
- Winter Counts by David Heska Wanbli Weiden. (A Mystery set on the Rosebud Indian Reservation in South Dakota.) [Currently listening.]
- Beware of male narrators who drop their voices when speaking quietly on the audiobooks. Their voices will get lost with all the road noise. I'm not sure if it is just male voices (lower register) which have this problem but if you find yourself adjusting the volume up and down several times, perhaps that is not the best book for a road trip.
- Let the pickiest person select the book, at least in the beginning. My husband has figured out he really doesn't like long fantasy-type books in the audio format. He is also very aware of repeated phrases or too many cliches ("lazy writing" in his opinion) and gets irritated by them. I don't want to torture him by insisting we continue with these books when other options are available.
- Some narrators are better than others. If you get an hour or so into the audiobook and you are still irritated by the narrator. Stop and pick one of the other options to try. It doesn't mean that the book is bad, it is just a bad fit for you in that format. Once you find a narrator you really like, check out other audiobooks they've read. Here is a list of ten of my favorite audiobook narrators.
- Get your audiobooks from your public library whenever possible. Your library will tell you what format they use for their audiobooks and you'll need to download that app, but once you do everything should be seamless. My libraries (I use three) all use the LIBBY app, but I've also used Overdrive. Place holds on books which aren't readily available. Usually you will have three weeks before the due date once you check them out and you don't even need to leave home to do it. I always keep my eyes on due dates because I don't want to be in the middle of a good book and have it suddenly disappear off my device.
- Here are a few of Don's and my favorites: (Books marked with * have a high quality production.)
- *Project Hail Mary by Andy Weir, read by Ray Porter
- A Hitchhiker's Guide to the Galaxy by Douglas Adams, read my Stephen Fry
- *James by Percival Everett, read by Dominic Hoffman
- The Sentence by Louise Erdrich, read by the author
- The Amazing Adventures of Kavalier and Clay by Michael Chabon, read by David Colacci
- *Lincoln in the Bardo by George Saunders, read by 160+ narrators
- *How Not to Drown in a Glass of Water by Angie Cruz, read by Kimberly Wetherell and Rossmery Almonte
- The Boys in the Boat by Daniel James Brown, read by Edward Herrmann
- The Soul of America by Jon Meacham, read by Fred Sanders and Jon Meacham
- Anything by and read by authors Bill Bryson or David McCullough.
Saturday, December 28, 2024
Best Audiobooks Read in 2024
I love listening to audiobooks and actually prefer doing so over reading the print versions usually. This year there were some real standout audiobooks and then a whole batch of very wonderful ones. I've ranked the standouts but the others I just listed as they came to mind, so the numbering system falls apart at that point.
Saturday, April 20, 2024
Audiobooks We Listened to On a Recent Trip
On our recent 16-day, 3000+ miles vacation, my husband and I listened to five+ audiobooks together. Last night we finally took the time to compare notes on our thoughts. Now you get the benefit of two opinions on each book.
Saturday, March 2, 2024
Review and discussion questions for: THE RABBIT HUTCH by Tess Gunty
This month's book club selection was Tess Gunty's National Book Award winning novel The Rabbit Hutch. It was a unanimous choice at first but then as women started reading the book a few balked, thinking the book was too difficult and contained too many trigger topics. We decided to go ahead with our choice and, boy, am I glad we did.
The Rabbit Hutch Discussion Questions
(Spoiler alert: Some details of the book will be revealed in the questions.)
- What did you think was revealed in the opening lines of the book “On a hot night in Apartment C4, Blandine Watkins exits her body. She is only 18 years old, but she has spent most of her life wishing for this to happen.” And how did this affect your feelings about the book going forward?
- Why do you think Blandine, the 18-year-old, former foster care 'graduate', is obsessed with Catholic mystics even though she was not religious?
- Blandine never left Vacca Vale but her whole life she felt like an outsider. How does this happen? Have you ever known anyone in a similar situation? (Our group is made up of teachers, so we could reflect back on past students.)
- Talk about the characters: Blandine, Moses, Elsie, Joan, Todd/Malik/Jack, James, others.
- The theme of "home" is a recurring one. Give some examples of how the characters felt about home.
- What aspect of "dying cities" have you been aware of where you live? What signs of resurgence?
- The book highlights how often there is a lack of societal responsibility by its members. Discuss examples of this from the book and in your own community/life.
- What aspects of the book did you find funny/humorous? (You might need to prompt the group with some you've thought of before the meeting. We found so many funny aspects but of course they were hidden in some awful circumstances. It took us a while to come up with some and then the flood gate was open and we couldn't stop finding new humorous quotes/quips/situations.)
- How did you react to the chapter of visual illustrations? Did it help you understand the unfolding scene better or not?
- Todd, Jack, and Malik start sacrificing animals at some point. How does this come to pass and why did they continue it?
- Late in the book Jack's chapters are written in 1st person. Why do you think the author switched that point-of-view and gave Jack a front row seat? Did you notice it? How did it impact the story?
- What are your favorite quotes/quips? Here are a few of my favorites:
- "Her voice sounded like a communion wafer -- tasteless and light."
- "He wears his testosterone like a strong cologne."
- "You couldn't go anywhere in this town without bumping into God."
- "It takes Blandine a long time to respond, and when she does, the words seem laborius for her. She lugs them in to the room as though they're pieces of furniture."
- On the last page of the book Joan wonders what comments people would make to fill the obituary guest book if Blandine died. What comments do you think people would make and who are these people?
- What is your reaction to the last few lines of the book summed up as, "I'm awake. Are you?"
- What growth/positive movement did the characters make by the end of the book?
Thursday, February 1, 2024
Review: THE COVENANT OF WATER
Title: The Covenant of Water by Abraham Verghese
Beginning quote:
1900, Travancore, South India
She is twelve years old, and she will be married in the morning. Mother and daughter lie on the mat, their wet cheeks glued together.
"The saddest day of a girl's life is the day of her wedding," her mother says. "After that, God willing, it gets better."
Friday56 quote (or from some page):
“Ammachi, when I come to the end of a book and I look up, just four days have passed. But in that time I’ve lived through three generations and learned more about the world and about myself than I do during a year in school. Ahab, Queequeg, Ophelia, and other characters die on the page so that we might live better lives.”
Summary: The Covenant of Water is an epic story following three generations (1900-1977) in Kerala on India's Malabar (Southern) Coast. The family has a secret, a peculiar affliction -- at least one person per generation has died by drowning. This is a problem not only because of untimely deaths but because water is everywhere in the region of India. The family is part of a community known as Thomas Christians, said to be founded by the Apostle Thomas back in the first century CE. The story begins when the woman who becomes Big Ammachi (Big Mother) moves to Kerala when she is but twelve-years-old to marry a widower trice her age. His first wife drowned. She is a witness to unthinkable changes in her family and her country over the span of her life. Many of those changes relate to medicine and patient care. Is there a cure for what ails this family?
Review: The headline in the Washington Post review for The Covenant of Water reads: "Oprah chose well. The Covenant of Water is a rich heartfelt novel." I agree. In fact, The Covenant of Water has everything I like in a book: a detailed plot -- in this case one which covers three generations of a family and many/many side characters; characters who are fully fleshed out, not one-dimensional beings; a theme which is very evident throughout the whole text; literary quotes and thoughts interspersed throughout; an author who treats his readers as intelligent and knowledgeable -- in this case about medical and genetic issues; AND, this may not surprise you, one which clearly has a very spiritual, often scriptural, message.
I listened to the audiobook narrated by Verghese himself. This was a rare treat because I got to listen to his beautiful India accent but also learned how to pronounce previously unknown words and locations to me. The 30+ hours of listening made me feel like I had practically moved to India and more specifically to Parambil, the family estate, built as far away from the nearby river as it could be for fear of the water.
Abraham Verghese is novelist (“Cutting for Stone”), doctor and professor of medicine — introduces his enormous new novel, “The Covenant of Water,” with a personal note to advance readers: His late mother, Mariam, “was an incredible storyteller” who “wrote a forty-page manuscript” in response to a grandchild’s query about her life. “In this novel,” Verghese declares, “I draw on some of those stories.” He dedicates the book — 10 years in the making — to his mother. (WaPo)
Verghese draws on his own life and his knowledge of medicine to enhance and enrich this book. It is masterfully written, a story in which one can get lost for days...and I did! At book club each member was asked if what she thought of the book. One member, Becky, told the group that she loved the book so much, she didn't want it to end. And that is saying a lot since the book is 724 pages long!
-Anne
Thursday, December 28, 2023
Review: THE LAND OF LOST THINGS
Twice upon a time - for that is how some stories continue - there was a mother whose daughter was stolen from her.
You can destroy a book. You can burn it, you can tear it to pieces and scatter them to the four winds, you can soak it until it reverts to pulp or the ink turns the water black, but you can’t destroy the contents of the book, or the idea of the book, not as long as there are those who care, who remember… Who read. Neither can you destroy stories, not unless you destroy people—and some have tried.
Phoebe, an eight-year-old girl, lies comatose following a car accident. She is a body without a spirit, a stolen child. Ceres, her mother, can only sit by her bedside and read aloud to Phoebe the fairy stories she loves in the hope they might summon her back to this world.
Now an old house on the hospital grounds, a property connected to a book written by a vanished author, is calling to Ceres. Something wants her to enter, and to journey - to a land coloured by the memories of Ceres's childhood, and the folklore beloved of her father, to a land of witches and dryads, giants and mandrakes; to a land where old enemies are watching, and waiting. (Publisher)
I didn't even know that I needed a sequel. The Land of Lost Things is a darker version of the first story where some pretty horrifying things happen and yet, the same kernel is there...the importance of our STORY. The opening quote sets the stage nicely for a sequel, don't you think? And the Friday56 quote, which isn't actually from page 56, sets the stage for the importance of books and owning our own story.
Thursday, November 2, 2023
Review and quotes: THE HEAVEN AND EARTH GROCERY STORE
There was an old Jew who lived at the site of the old synagogue up on Chicken Hill in the town of Pottstown, Pa., and when Pennsylvania State Troopers found the skeleton at the bottom of an old well off Hayes Street, the old Jew's house was the first place they went to.
Moshe happily complied. He attributed her improvement to the arrival of Malachi, who insisted on dropping by the theater every day to deliver a loaf of his challah for Moshe to carry home to his wife. "This will be part of your wife's healing," he said proudly.
In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighborhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows.
As these characters' stories overlap and deepen, it becomes clear how much the people who live on the margins struggle and what they must do to survive at the margins of white Christian America and how damaging bigotry, hypocrisy, and deceit can be to a community. When the truth is finally revealed about what happened on Chicken Hill and the part the town's white establishment played in it, McBride shows us that even in dark times, it is love and community--heaven and earth--that sustain us. (Publisher)
Thursday, August 24, 2023
Review and quotes: THE LONELIEST POLAR BEAR
Title: The Loneliest Polar Bear: A True Story of Survival and Peril on the Edge of a Warming World by Kale Williams
Abandoned: She weighed scarcely more than a pound, roughly the size of a squirrel. Her eyes and ears are fused shut. Her only sense of the world around her came from smell, and her nose led her in one direction: toward the gravity and heat of her mother, a six-hundred-pound polar bear named Aurora.
Until the winter of 1918, when death came to Wales on a dogsled.
The heartbreaking and ultimately hopeful story of an abandoned polar bear cub named Nora and the humans working tirelessly to save her and her species, whose uncertain future in the accelerating climate crisis is closely tied to our own.
Six days after giving birth, a polar bear named Aurora got up and left her den at the Columbus Zoo, leaving her tiny, squealing cub to fend for herself. Zookeepers entrusted with her care felt they had no choice: They would have to raise one of the most dangerous predators in the world themselves, by hand. Over the next few weeks, a group of veterinarians and zookeepers would work around the clock to save the cub, whom they called Nora.
Three decades before Nora's birth, her father, Nanuq, was orphaned when an Inupiat hunter killed his mother, leaving Nanuq to be sent to a zoo. That hunter, Gene Agnaboogok, now faces some of the same threats as the wild bears near his Alaskan village of Wales, on the westernmost tip of the North American continent. As sea ice diminishes and temperatures creep up year-after-year, Gene and the polar bears--and everyone and everything else living in the far north--are being forced to adapt. Not all of them will succeed.
The Loneliest Polar Bear explores the fraught relationship humans have with the natural world, the exploitative and sinister causes of the environmental mess we find ourselves in, and how the fate of polar bears is not theirs alone. (Publisher)











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